issue 01 - Collaborators

Anna Viola Sborgi

is a Research Fellow at the University of Genoa and a Teaching Assistant at King’s College London, where she is in the final stages of her PhD in Film Studies. She also holds a PhD in Comparative Literature (University of Genoa, 2007). Her current research investigates the screen representation of gentrification in East London from the 1980s to the present. 

Carol Mavor

is a writer who takes creative risks in form (literary and experimental) and political risks in content (sexuality, race in America, child-loving and the maternal).  Currently Mavor is working on a new book, Serendipity: The Alphabetical Afterlife of the Object. She is also writing a trilogy of short novelesque texts on the art of the 1960s in Northern California: Like a Lake, Like the Sea and Like a Tree. 

Hannah Paveck

is a PhD candidate in the Film Studies Department at King’s College London. Her doctoral research explores the role of sound and listening in contemporary global art cinema, drawing on the work of French philosopher Jean-Luc Nancy. She is a staff writer for the feminist film journal Another Gaze.

Laura Staab

is a PhD candidate in Film Studies at King’s College London. She has previously written on cinema and installation art for Another Gaze, The Machine That Kills Bad People, and Sight & Sound.

Marco Meneghin

is a PhD student at the Mel Hoppenheim School of Cinema in Concordia University, Montreal. He has a background in Latin American Studies and holds a MA in Film and Moving Image studies from University College London. His research deals with the theorization of re-enactment in documentary filmmaking.

Nina de Vroome

makes films, video installations and collages. Since graduating from the Royal Academy of Fine Arts in Ghent, she has worked as a filmmaker and engaged in collaborations as a sound engineer and editor. She is a member of the Sabzian collective, developing a collection of online reflections on cinema. As a teacher she is involved in various educational projects.

Rebecca Loewen

is a PhD candidate in Architectural Design at the Bartlett School of Architecture UCL and a practicing architect in Winnipeg, Canada. She has taught architecture in Canada and the UK. She is a former Akademie Schloss Solitude architecture fellow whose work in film and architecture has been exhibited in France, Germany, Canada and the UK. She holds a BA in French Studies and an MArch from the University of Manitoba.

Sander Hölsgens

is a filmmaker and postdoctoral researcher working on the NWO-funded project ‘’Documenting complexity’. He co-founded Pushing Boarder and the Field Recordings Film Festival. In 2018, he finished his PhD at The Bartlett School of Architecture, UCL, researching skateboarding in South Korea. He’s currently filming a documentary with professional skateboarder Candy Jacobs.

The Screening Research Group (SRG)

Ingrid Cogne

is an artist, facilitator, and independent researcher working across choreography, visual arts and academia. Cogne initiated and led Six Formats as main investigator between 2015-2018.

Rebecca Jane Arthur

is a visual artist, working predominantly with the moving image and writing. Arthur co-founded the Brussels-based film and media art platform Elephy in 2018 and is project coordinator of On & For Production and Distribution (2018-2021).

Rafal Morusiewicz

is an artist, researcher, and writer, working with found-footage film, historiographies and auto-ethnographies, and affective memory. His PhD research centers on socio-political and economic aspects of/in “Polish queer film”.

Stephanie Lam

is a PhD candidate in the department of Film and Visual Studies at Harvard University.  Her current research focuses on temporal scale and the production of place in contemporary ecocinema/media and the visual culture of environmentalism.

Thi Phuong-Trâm Nguyen

is teaching at the Azrieli School of Architecture and Urbanism (Carleton University), while also pursuing a PhD in Architectural Design at The Bartlett School of Architecture (UCL). Her research addresses the temporality of the gesture of looking through the study of anamorphic construction and the possibilities of drawing, filmmaking and writing to occupy the space of perception.